With the successful completion of the second round of the International Awards for Art Critics ( IAAC 2 ) at the end of November 2015 in Shanghai, we can confidently say that these Awards are fully into their stride and have already earned a place for themselves in the international artistic and critical community.

The aim of the Awards remains unchanged: to support independent critical coverage of contemporary art, away from the immediate pressures of market, media and all forms of instrumentalisation. The focus of the Awards on exhibitions draws attention not only to the artists and the work in play, but to other, wider issues of context, presentation and social, economic, aesthetic or historical interest. Questions of display may enter into this. And the deliberate focus on the short newspaper-length review of 2,000 characters, or 1,500 words, prioritises immediacy of address over the longer, more discursive, essay form.

The challenges of writing critically about contemporary art are consistent, though there are many ways of responding to it, and the environment for doing so is changing rapidly. We are sticking to the printed word for the moment, although it becomes increasingly clear that criticism is exercised in a wide variety of different media ( oral, digital, filmic and other ) and sometimes in the most unexpended guise ( silence being also an exercise of critical acumen ). We are sticking to the two principal world languages, Chinese and English, for the present, although we hope never to lose sight of the reality, that all forms of criticism are modes of translation, and that language is a no less opaque medium than the visual phenomena it seeks to serve.

We may be constrained in our choice of language, but the geographical constraints have largely disappeared. Whilst the Awards are primarily funded and supported by our partners in China, and draw strength from the vibrancy of the contemporary art scene there, they recognise no barriers, either to writers in China itself, where competitors from eleven mainland provinces make up a quarter of the total of 81 Chinese entries, or to Hong Kong and Taiwan ( with ten entries between them ), France ( with five ) or the UK, USA and Germany, with a couple each. The geographical spread of the 141 English-language entrieswas, if possible, still more varied, making a total field of 222 entries, all focusing on recent exhibitions, in which the artists ( or group of artists ) and the physical, social, economic and cultural background are analysed and debated, in conditions of anonymity. That is, the only marks of identification on the shortlisted papers examined by the jury were the temporary marks they had been allocated for the purpose of recording the results.

In these conditions of anonymity, it was more than a little gratifying to find that all the Award winners turned out to be fully affirmed, published authors, with a serious record of research and achievement behind them, and that all of them were representative of a rising generation, half of them being young writers, in search of a wider audience.Indeed, the overall winner of the First Prize, David Balzer, from Toronto, in Canada, has already attracted considerable international attention for his recent, highly topical, book Curationism, How Curating Took Over The Art World And Everything Else ( London, 2014 ). As for the second prize winners, Zhang Wei is a researcher, critic and artist, and currently a visiting fellow at the City University of Hong Kong ( MFACM ) and Andrew Weiner an Assisstant Professor of Art Theory and Criticism at NYU whose work aims to theorise and historicise relations between aesthetics, politics, and media.

The overall standard of entries this year, from 49 different countries, was still higher than on the previous occasion, when the number of entries was marginally higher. This made the judging process still more difficult, but threw up some interesting discussions along the way. Approximately ten shortlisted essays in Chinese and ten in English are published here together, in the original language and in translation, so readers may judge this for themselves.

Our thanks go first of all to the selectors in the first round, including Anne Duffau, Ai Min and Carol Liu, in addition to the Board members of the IAAC, and in the finals to the five judges, Marek Bartelik, Juan Cruz, Dieter von Graffenried, Pi Li and Yongwoo Lee, who all met in camera in Shanghai! Then we must thank the 222 contenders, in all, for taking the risk of submitting their essays to unusually critical examination. In addition we wish to thank our most generous sponsors, the Shanghai Minsheng Charity Foundation ( Gan Zhiyi ), the Anxin Trust Co. Ltd. ( Amy Gao ) and the Shanghai Pudong New Area People’s Government ( Yumin Xie ), in addition to the staff of the Shanghai 21st Century Minsheng Art Museum ( Gan Zhiyi, Su Xiaohe, Wang Dan, Gu Jia and Huang Yedan, in particular ), as well as our colleagues at the Royal College of Art ( Juan Cruz and Anne Duffau ), gunnercooke llp ( John Shield and Marina Bru ) and Stinsensqueeze, London and Paris, the designers of this second edition of the Exhibitions Reviews Annual, 2015 – 16. Henry Meyric Hughes ( Chair ), Lewis Biggs ( Treasurer ), Juan Cruz, Ling Min, Board Members; and Gan Zhiyi and Amy Gao, Members of the Executive Committee of the International Awards for Art Criticism, Shanghai and London.

Exhibition Reviews Annual 2 

A publication containing a selection of entries from the Second International Awards for Art Criticism ( IAAC 2 ), 2015

www.iaac-m21.com

Edited by Lewis Biggs, Juan Cruz, Henry Meyric Hughes, Ling Min, Chen Guoqiang, Gan Zhiyi & Gao Chao

Copy-edited by Anne Duffau, Henry Meyric Hughes, Hong Chi, Zhang Yuting and Cathy Johns

Designed by Stinsensqueeze

Typesetting in Chinese by Hamlet Auyeung

Translations into Chinese by Hong Ye, He Xiao, Zhang Hanlu

Translations into English by Richard Dobson, Daniel SzehinHo

Proofread by Cathy Johns and Hamlet Auyeung

Published by Shanghai People’s Fine Arts Publishing House

 

A publication of the International Awards for Art Criticism Ltd. ( IAAC ), in partnership with the Shanghai Twenty-First Century Minsheng Art Museum, Shanghai and the Royal College of Art, London.

With the support of the Shanghai Minsheng Art Foundation, China Minsheng Bank ( CMBC ), Anxin Trust, Shanghai Artemis Art Center, and the International Association of Art Critics ( AICA ).

The board of the IAAC would like to thank Anne Duffau, Gan Zhiyi, Amy Gao, Gu Jia, Aine Duffy, Michael Turco.

 

©2016 the editors and authors.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any mechanical means, photocopying or otherwise, without prior permission in writing from the publisher and the board of the IAAC.

The board of the IAAC have made every effort to trace copyright holders, but if any have been overlooked, we will be pleased to publish the necessary acknowledgements at the first opportunity.

Venice Biennale
Various locations,
Venice
《威尼斯双年展》
威尼斯，市内多个地点
09.05.15 – 22.11.15

Origins of the Species ( Part 2 )
Modern Art Oxford,
Oxford
《物种的起源
（ 第二部分 ）》
牛津，牛津现代艺术
29.05.15 – 09.08.15

The Impossibility
of Keeping Borders
Odetta Gallery, Brooklyn
《保持边界的
不可能性》
布鲁克林，欧蒂塔艺廊
06.09.14 – 06.10.14

Various titles
Various,
Various locations
《各种标题》
多个城市，多个地点
2008, 2009,
2014, 2015

Christina Mackie
Tate Britain, London
《克里斯蒂娜·麦基》
伦敦，泰特英国美术馆
Mar – Oct 2015

Anish Kapoor
Lisson Gallery, London
《安尼施·卡普尔》
伦敦，里森艺廊
25.03.15 – 09.05.15

Under the Skin
Museum of Contemporary Art,
Chicago
《皮囊之下》
芝加哥，
当代艺术博物馆
21.02.15 – 24.05.15

Boomerang
Serpentine Gallery,
London
《回旋镖》
伦敦，蛇形画廊
04.03.15 – 17.05.15

The Roving Eye
Arter, Istanbul
《粗纱眼》
伊斯坦布尔，
阿特尔艺廊
18.09.14 – 04.01.15

Deuxième Biennale européenne de Sculpture
Raveau, Raveau
《第二届欧洲
雕塑双年展》
拉沃，拉沃艺廊
26.06.15 – 20.09.15

Conflict, Time, Photography
Tate Modern, London
《冲突，时间，摄影》
伦敦，泰特现代美术馆
27.11.14 – 15.3.15

Alternative Modernisms
SECCA,
Winston-Salem
《另类现代主义》
温斯顿-塞勒姆，
东南亚当代艺术中心
16.04.15 – 16.08.15

In Real Life ( IRL )
STARCOM MediaVest Group, Chicago
《在现实生活中（ IRL ）》
芝加哥，星传媒体集团
Dec 2014

Seditious Industrial Complex
Sala Diaz,
San Antonio
《煽动性产业园区》
圣安东尼奥，
萨拉·迪亚兹
31.07.15 – 30.08.15

Jabberwocky
Ab / Anbar Gallery, Tehran
《无意义的文字游戏》
德黑兰，
Ab / Anbar艺廊
12.06.15 – 12.08.15

Speaking Back
Goodman Gallery, Cape Town
《说回来》
开普敦，古德曼艺廊
13.05.15 – 18.7.15

Measuring the
Last Breaths of Time on a Fading Scale
Gypsum Gallery, Cairo
《在衰落规面上测量
时间最后的气息》
开罗，吉普瑟姆艺廊
18.11.14 – 31.01.15

Contemporary Mantera #1
HoM Art Trans,
Kuala Lumpur
《当代曼特拉人#1》
吉隆坡，艺术空间
Jan 2015

The Bottom Needs
a Shadow
1908 Gallery, Richmond
《底部需要一个阴影》
里士满，1908艺廊
Dec 2014

Femina Subtetrix
Ivan Gallery, Bucharest
布加勒斯特，伊凡艺廊
10.09.15 – 03.10.15

Crown Off
Contemporary
Art Center, Vilnius
《关闭皇冠》
维尔纽斯，
当代艺术中心
17.04.15 – 24.05.15

Isibonelo / Evidence
Brooklyn Museum, New York
《示例/证据》
纽约，布鲁克林博物馆
Aug 2015

Odio gli indifferenti
Istituto Nazionale per la Grafica, Rome
罗马，
罗马国立绘图研究所
11.10.14 – 11.01.15

Anselm Kiefer /Marlene Dumas
Royal Academy /
Tate Modern, London
《安塞姆·基弗/
马琳·杜马》
伦敦，
英国皇家美术学院/
泰特现代美术馆
Sept 2014 – Feb 2015

In the Absence
of a Body
Chicago Artist Coalition, Chicago
《在没有身体
的情况下》
芝加哥，
芝加哥艺术家联盟
06.02.15 – 26.02.15

Stanley Brouwn
Haubrok Foundation,
Berlin
《斯坦利·布朗》
柏林，科尔伯基金会
01.05.14 – 04.04.15

Wall Works
Hamburger Bahnhof,
Berlin
《墙体工程》
柏林，汉堡车站美术馆
29.11.13 – 11.01.15

Ala Hmedy
Various locations,
Berlin
柏林，市内多个地点
2016

Feature Furry
Städtische Galerie,
Waldkraiburg
《毛茸茸的特征》
瓦尔德克赖堡，
市政艺廊
26.03.15 – 23.05.15

Posters
Museo Galeria Fotografica, La Plata
《海报》
拉普拉塔市，
照相馆博物馆
Aug 2015

Devices
Electromuseum,
Moscow
《装置》
莫斯科，电子艺术馆
22.04.15 – 31.05.15

Tear Down
and Rebuild
Museum of Contemporary
Art, Belgrade
《拆卸和重建》
贝尔格莱德，
当代艺术博物馆
11.09.15 – 25.10.15

Douglas Coupland: everywhere is any-where is anything
is everything
Museum of Contemporary Canadian Art,
Royal Ontario Museum, Toronto
《道格拉斯·柯普兰；
每一地都是任何一个
地方，都是任何事物，
也是每一个事物》
多伦多，
加拿大现代艺术博物馆/
安大略皇家博物馆
31.01.15 – 26.04.15

SHED: Unusual Migration
aceart inc.,
Winnipeg
《不寻常的迁徙》
温尼伯，王牌艺术公司
05.09.14 – 07.10.14

Brücke
Künstlerhaus Dortmund,
Dortmund
《桥梁》
多特蒙德，
多特蒙德艺术家工作室
29.11.14 – 15.02.15

Venice Biennale
Various locations,
Venice
《威尼斯双年展》
威尼斯，市内多个地点
09.05.15 – 22.11.15

Exhibition Vanitas
Georg Kolbe, Berlin
《展览.虚荣》
柏林，格奥尔格·科尔贝
博物馆
26.03.15 – 02.05.15

Epitaph For Family
Human Resources Gallery, Los Angeles
《家人的墓志铭》
洛杉矶，人力资源艺廊
28.06.15 – 19.07.15

Venice Biennale
Various locations,
Venice
《威尼斯双年展》
威尼斯，市内多个地点
09.05.15 – 22.11.15

The Disparates
Ryan Lee Gallery,
New York
《异类》
纽约，瑞安李艺廊
27.08.15 – 26.09.15

Colors
Ullens Center for Contemporary Art,
Beijing
《色彩》
北京，
尤伦斯当代艺术中心
07.02.15 – 17.04.15

MYST
United Art Space, Shanghai
《迷局》
上海，联合艺术空间
05.09.15 – 15.10.15

Van Gogh Alive
Tai Ping Lake Park, Xin Tian Di, Shanghai
《不朽的梵高》
感映艺术大展
上海，新天地太平湖公园
28.04.15 – 30.08.15

Soundscapes: Where Art Meets Sound
National Gallery,
London
《声音: 艺术交汇的
声音》
伦敦，国家美术馆
08.07.15 – 06.09.15

Untitled ( September Magazine )
Carl Freedman Gallery, London
《无题（ 九月杂志 ）》
伦敦，
卡尔·费伊德曼画廊
04.09.15 – 03.10.15

Actual / Division
of the Vision
Eleven Rivington and Yossi Milo Galleries,
New York
《微分视觉》
纽约，十一温顿 及
贝纳米洛艺廊
12.11.14 – 02.01.15

Mona Hatoum
Centre Pompidou,
Paris
《莫娜·哈透姆》个展
巴黎，
蓬皮杜当代艺术中心
24.06.15 – 28.09.15

Voyages
Maison des arts,
Le Barcares
《航海展》
勒巴尔卡雷，艺术之家
05.09.15 – 30.09.15

Modern Painting
Galeria Luisa Strina,
São Paulo
《现代主义绘画》
圣保罗，
Luisa Strina艺廊
11.10.14 – 14.11.14

Skopje 2014
Skopje Project
Skopje
《关于斯科普里的
2014年》
斯科普里，
斯科普里项目
25.06.14 – 15.07.15

Transcultural Landscapes:
On Art and Ecology
CFCCA, Manchester
《跨文化长廊：
艺术与金融》
曼彻斯特，
中国当代艺术中心
03.07.15

Sonia Delaunay
Musée d'Art Moderne de la
Ville de Paris
《索尼娅·德劳内
服装展》
巴黎，现代艺术博物馆
17.10.14 – 12.02.15

Agrafo
Galeria Luisa Strina,
São Paulo
《数码照片的
可视化处理》
圣保罗，
Luisa Strina艺廊
05.08.15 – 19.09.15

Pablo Genovés
Sala Canal, Madrid
《巴勃罗·热那亚》个展
马德里，
伊莎贝拉二世运河展厅
16.12.14 – 22.03.15

Pierre Huyghe
LACMA, Los Angeles
《皮埃尔·于热》个展
洛杉矶，
洛杉矶艺术博物馆
23.11.14 – 22.02.15

Pale Significance
Leyden Gallery,
London
《苍白的意义：希拉里·
埃利斯》个展
伦敦，莱顿艺廊
26.08.15 – 12.09.15

Luigi Ghirri
Douglas Hyde Gallery, Dublin
《Luigi Ghirri》
意大利摄影师
彩色摄影展
都柏林，
道格拉斯·海德艺廊
31.07.15 – 30.09.15

Principios de fotografica,
Data Recovery
El ojo ajeno,
Lima
《相机的始源，
数据修复》
利马，外星眼画廊
12.03.15 – 11.04.15,
17.04.15 – 15.05.15

Blue Curtains,
Black Coffee
Deborah Bowman Gallery, Amsterdam
《蓝窗帘，黑咖啡：50
年代商务类配件与家具展》
阿姆斯特丹，
黛博拉·鲍曼艺廊
06.12.14 – 22.12.14

Designing 007
Kunsthal Rotterdam,
Rotterdam
《特工007》
鹿特丹，
鹿特丹当代美术馆
12.10.14 – 08.02.15

Antony Gormley
Forte di Belvedere,
Florence
《安东尼·格姆莉》
佛罗伦萨，福特迪宫
26.04.15 – 27.09.15

Revolution in Art: from Picasso
to Warhol
The House of Poklevsky-Kozell,
Ekaterinburg
《艺术的变革：
从毕加索到沃霍尔》
叶卡特琳堡，
伯克洛夫斯基-
考泽尔之家
20.08.15

Inverso Mundus
Venice Biennale, Venice
《上下颠倒的世界》
威尼斯，威尼斯双年展
09.05.15 – 22.11.15

In Part
Prada Foundation,
Milan
《部分》
米兰，普拉达基金会
09.05.15 – 31.10.15

Siberian Art
Surikov Museum,
Krasnoyarsk
《西伯利亚艺术》
克拉斯诺雅茨克，
苏里科夫博物馆
04.09.14 – 04.10.14

The Sculptures
We Do Not See
Central Manege,
Moscow
《我们未曾看过
的那些雕塑》
莫斯科，国际会展中心
14.08.15 – 06.09.15

Countershadow: Tactics in Evasion
Institute of Contemporary Arts,
Singapore
《对立面的阴影：
回避的策略》
新加坡，当代艺术学院
20.10.14 – 26.10.14

Wandering Home
Glasgow Cathedral & Govan Old Parish Church, Glasgow
《流浪的家》
格拉斯哥，
格拉斯哥大教堂及
戈万老教区教堂
29.08.15 – 30.09.15

Anima
Galerie de Arte Braz Cubas, São Paulo
《灵魂》
圣保罗，
古巴德布拉兹艺廊
Aug 2015

Endless Hours At Sea
Ateneo Art Gallery,
Quezon
《在海上的无尽时光》
奎松城，雅典耀艺廊
30.07.14 – 30.09.14

A Savage Journey to the Heart of the Russian Idea
ART reFLEX,
St. Petersburg
《一段去俄罗斯中心
的野蛮旅行》
圣彼得堡，艺术反射
2014

Deana Lawson
Art Institute Chicago,
Chicago
《戴安娜·劳森》
芝加哥，
芝加哥艺术学院
09.05.15 – 01.10.16

Formula of Success
Erarta Museum,
St. Petersburg
《成功的准则》
圣彼得堡，
艾拉尔塔当代艺术
博物馆
05.09.15 – 31.12.15

Lee Lozano
Hauser & Wirth,
New York
《李·洛萨诺》
纽约，
豪泽与维尔特画廊
14.05.15 – 31.07.15

Manifesta 10
Hermitage Museum,
St. Petersburg
《第10届欧洲宣言展》
圣彼得堡，冬宫博物馆
07.12.14 – 08.03.15

Progress and Hygiene
Zachta National Art Gallery, Warsaw
《进步和卫生》
华沙，激励国家艺廊
29.11.14 – 15.02.15

New Museum Triennial: Surround Audience
New Museum,
New York
《新博物馆三年展:
环绕观众》
纽约，
新当代艺术博物馆
25.02.15 – 24.05.15

Takashi Murakami
Gagosian Gallery,
New York
《村上 隆》
纽约，高古轩
10.11.14 – 17.01.15

Communal Land
SESC Pompeia,
São Paulo
《公有土地》
圣堡罗，
旁皮亚艺术中心
03.10.15 – 05.10.15

Dineo Seshee Bopape
Hayward Gallery Project Space, London
《迪纳奥·塞士·
波佩帕》
伦敦，海沃德美术馆
项目空间
26.09.15 – 07.09.15

Francisca Morales
Die Ecke Contemporary, Santiago
《弗朗西斯卡·
莫拉莱斯》
圣地亚哥，
转角艺术空间
24.07.15 – 29.08.15

In Situ
Padiglione d'Arte Contemporanea,
Milan
《原位》
米兰，
帕蒂廖内当代艺术馆
11.10.14 – 06.01.15

Cui Jie: The Proposals For Old And New Urbanism
Museu Natural da Electricidade, Seia
《崔杰：旧与新
城市主义的建议》塞亚，
天然电力博物馆
15.11.14 – 30.03.15

Cui Jie: Proposals For Old and New Urbanism
Leo Xu Projects,
Shanghai
《崔杰：旧与新
城市主义的建议》
上海，徐宇项目
23.11.14 – 04.01.15

Shipping the Box Project
National Museum of Modern and Contemporary Art, Seoul
《装运箱项目》
首尔，
现当代国家艺术博物馆
04.11.14 – 13.09.15

Chto Delat and The School of Engaged Art
( Manifesta 10 )
St. Petersburg
《Chto Delat艺术团
和参与艺术学院》
圣彼得堡，
第十届欧洲宣言展
19.09.14 – 21.09.14

Dinamo Esken
Salt Ulus, Ankara
安卡拉，乌鲁斯盐
27.01.15 – 14.03.15

Go to Hell or Atlanta, Whichever Comes First
Victoria Miro, London
《去地狱或者亚特兰大》
伦敦，
维多利亚·米罗艺廊
30.05.15 – 30.11.15

Everything Failing to Become Something
Carroll / Fletcher,
London
《一切都未能成为什么》
伦敦，
卡罗尔/弗莱彻艺廊
25.09.15 – 14.11.15

Inner Ukraine
Fabrica, Kherson
《来自乌克兰内部》
赫尔松，法布里卡
22.11.14 – 04.12.14

Marcel Broodthaers
Fridericianum, Kassel
《马塞尔·布达埃尔》
卡塞尔，
弗里德里克花园
17.07.15 – 15.11.15

Ingvar Cronhammar
Cristernerne, Copenhagen
《英格瓦尔》个展
哥本哈根，
Cristernerne
现代玻璃艺术博物馆
03.03.15 – 29.11.15

Venice Biennale
Various locations, Venice
《威尼斯双年展》
威尼斯，市内多个地点
09.05.15 – 22.11.15

Unalloyed Patriotism
Shilpakala, Dhaka
《真正的爱国主义》
达卡，海德拉巴科技城
15.08.15 – 05.09.15

La Mer au Milieu
des Terres / Mare medi Terraneum
Es Baluard Museu d'Art Modern,
Mallorca
《地中海帕尔马展》
马略卡，
现代艺术博物馆
13.03.15 – 30.08.15

Beam
Artery Gallery, Kerala
《梁》
可罗拉，主流艺廊
08.02.15 – 18.02.15

1 / Museum
Kunsthaus Lempertz,
Brussels
《1/博物馆》
布鲁塞尔，
兰佩尔茨美术馆
12.09.15 – 09.10.15

La Grande Madre
Palazzo Reale, Milan
《伟大的母亲》
米兰，热那亚王宫
26.08.15 – 15.09.15

Enfant Terrible
Art Museum of Ukraine, Odessa
《叛逆顽童》
敖德萨，
乌克兰艺术博物馆
12.06.15 – 20.09.15

Beside War
Various locations,
Friuli, Venezia, Giulia, Trieste, Fogliano, Tarvisio
《在战争旁边》
弗留利、威尼斯、
朱利亚、的里雅斯特、
福利亚诺、塔尔维西奥
多个地点
27.03.15 – 18.04.15

10th Gwangju Biennale
Various locations, Gwangju
《第10届韩国
光州双年展》
光州，市内多个地点
05.09.14 – 09.11.14

Reclaiming Voices
Kalakriti Gallery,
Hyderabad
《回收声音》
海得拉巴，
kalakriti艺廊
Sept 2015

Interlaced Structures
Das Weisse Haus,
Vienna
《隔行结构》
维也纳，白宫
04.22.15 – 06.06.15

Designers in Residence; Disobedient Objects. Design Museum; V&A Museum, London
《驻留设计师》及
《抗命物件》
伦敦，设计博物馆；
维多利亚与阿尔伯特
博物馆
Sep 2014 – Mar 2015 Jul 2014 – Feb 2015

Maelstrom
Georgian National Museum, Tbilisi
《漩涡》
第比利斯，
格鲁吉亚国家博物馆
03.06.15 – 17.06.15

Thief
Galerie Urs Meile,
Beijing
《盗窃犯》
北京，麦勒画廊
29.08.15 – 25.10.15

Walton Ford
Musée de la Chasse et de la Nature, Paris
《沃尔顿福特展》
巴黎，狩猎自然博物馆
15.09.15 – 14.02.16

Art From The Heart
Power Station of Art,
Shanghai
《发自内心的艺术》
上海当代艺术博物馆
26.04.15 – 25.06.15

La Passion Selon Carol Rama
Musée de la Chasse et de la Nature, Paris
《卡罗尔·拉马激情展》
巴黎，狩猎自然博物馆
03.04.15 – 12.07.15

Crooked Rain
Centre for Contemporary Art, Derry
《弯曲的雨》
伦敦德里，
当代艺术中心
07.02.15 – 21.03.15

More Sweetly Play
the Dance
Marian Goodman,
London
《更甜美的舞动》
伦敦，
玛丽安古德曼画廊
11.09.15 – 24.10.15

Ordinary Bodies /
Ordinary Bones
Newlyn Art Gallery,
Cornwall
《玩舞蹈更悦耳》
康沃尔，纽林艺术画廊
22.11.14 – 03.01.15

Tanya Harnett: Scarred / Sacred Water
Pitt Rivers Museum,
Oxford
《Tanya Harnett：
神圣之水》
牛津，皮特河博物馆
24.10.14 – 03.05.15

Manifesting the Look of Love
2nd, Istanbul Design Biennale, Galata,
Istanbul
《爱的外观表现》
伊斯坦布尔，加拉塔，
第二届伊斯坦布尔
双年展
01.11.14 – 14.12.14

The Toxic Sublime
White Cube, London
《毒之崇高》
伦敦，白立方艺廊
15.07.15 – 13.09.15

Marcy Starz: Cold Comfort
Beep Beep Gallery,
Atlanta
《徒劳的宽慰》
亚特兰大，
Beep Beep艺廊
08.08.15 – 19.09.15

Michael Shaowanasai Presents,
Adler Subhashok Gallery, Bangkok
《迈克尔·绍瓦那塞
呈献……》
曼谷，阿勒·苏帕硕艺廊
06.03.15 – 19.04.15

The Endless Loop
Museum of Contemporary Art, Monterrey, Mexico
《无尽的环》
墨西哥，
蒙特雷当代艺术博物馆
04.09.15 – 17.01.16

Islamic Art Now
LACMA, Los Angeles
《当代伊斯兰艺术》
洛杉矶，
洛杉矶艺术博物馆
01.02.15 – 03.01.16

Kochi-Muziris Biennale
Kochi, Kochi
《高知 – 穆泽里斯
双年展》
高知县，高知
（ 日本四国
中南岸港市 ）
2015 – 2016

Frieze Art Fair
Regent's Park,
London
《雕带艺术展》
伦敦，摄政公园
12.12.14 – 29.03.15

Guillaume Bresson
Eglise des Célestins,
Avignon
《布列松纪尧姆》
亚维农，苍穹教堂
04.06.15 – 25.06.15

Under the Same Sun:
Art from Latin America
Guggenheim Museum, New York
《在同一太阳下：
拉丁美洲艺术》
纽约，古根海姆博物馆
13.06.14 – 01.10.14

The Fifth Dimension: Singularity
MARS Modern Art Center, Moscow
《五次元：奇点》
莫斯科，
火星现代艺术中心
26.06.15 – 27.09.15

La peinture, même
Centre Pompidou,
Paris
《油漆、 相同》
巴黎，
蓬皮杜当代艺术中心
24.09.14 – 05.01.15

Introspection: Raphael
Montañez Ortiz
LABOR, Mexico City
《自我反省》
墨西哥城，LABOR艺廊
22.11.14 – 10.01.15

The Gap
Parasol Unit, London
《代沟》
伦敦，阳伞原件当代
艺术基金会
09.09.15 – 06.12.15

Rosso Vivo, Rosso Fiorentino
Volterra, Pisa
《罗索体内，
罗素·菲伦蒂》
比萨，沃尔泰拉
23.05.15 – 31.12.15

The Catch of the Day
Museo Experimental El Eco, Mexico City
《当日捕获》
墨西哥城，
ECO实验博物馆
17.04.15 – 02.08.15

Venice Biennale
Various Locations,
Venice
《威尼斯双年展》
威尼斯，市内多个地点
09.05.15 – 22.11.15

Bikini Wax
Queiros Galeria,
Guanajuato
《比基尼脱毛蜜蜡》
瓜纳华托州，
奎罗斯商业街廊
18.06.15

Ancient Lights
Chisenhale Gallery,
London
《古灯》
伦敦，奇森黑尔艺廊
03.07.15 – 31.08.15

Twelve Hundred
Miles Apart
Koo Ming Kown Gallery, Hong Kong
《相距1200英里》
香港，顾明均画廊
06.10.14 – 15.06.15

From Reality to Extreme Reality: Zhang Dali
United Art Museum,
Wuhan
《从现实到极度现实：
张大力》
武汉，合美术馆
18.09.15 – 18.03.16

Mere Real Things
The Townhouse Gallery, Cairo
《只是现实之物》
开罗，镇公所艺廊
12.09.15 – 01.11.15

Weather or Not
MU artspace, Eindhoven
《是与否》
埃因霍温，MU艺术空间
June 2015

Art Gallery as vast
as Tehran
Various locations,
Tehran
《如德黑兰般
广阔的艺术画廊》
德黑兰，市内多个地点
05.05.15 – 15.05.15

Sebald Variations
CCCB, Barcelona
《塞班德的变化》
巴塞罗那，
巴塞罗那现代文化中心
11.07.15 – 26.07.15

Venice Biennale
Various Locations,
Venice
《威尼斯双年展》
威尼斯，市内多个地点
09.05.15 – 22.11.15

Markus Lüpertz:
A Retrospective
Musée d'Art Moderne de la
Ville de Paris
《马库斯·吕佩尔兹
回顾展》
巴黎，
巴黎现代艺术博物馆
17.04.15 – 19.07.15

Grace Harrison

Grace Harrison ( born 1989 ) is an artist, writer and social researcher, who works as part of several collaborative projects in Liverpool and London. Over recent years she has been extending her writing practice alongside this, as a vital channel for research and developing the critical discourse that informs her project work.