Orit Gat is a writer based in London and New York whose writing on contemporary art and digital culture has appeared in FriezeE-flux JournalThe White Review ( where she’s a contributing editor ), ArtReviewArt AgendaFlash ArtThe Art NewspaperMousseVICEThe Brooklyn RailArt in AmericaMetropolis MSpike Art QuarterlyCamera AustriaReview 31Momus and LEAP. She is a winner of the Creative Capital/Warhol Foundation Arts Writers Grant in the short-form writing category ( 2015 ) and was a finalist for the Absolut Art Writing Award ( 2017 ). Gat has worked as the features editor of Rhizome, the managing editor of WdW Review, the online art editor of BOMB Magazine and senior editor of Modern Painters

欧丽特· 戛特是一名居于伦敦及纽约的作家,擅长撰写以当代艺术及数字文化为主题的评论文章。她为众多艺术媒体供稿,包括《弗里兹》 ( Frieze ), E-flux 线上艺术评论杂志, 《白色评论》 ( The White Review ) ( 她是该杂志的特约编辑 ), 《艺术观察》 ( Art Review ), 艺术日程 ( Art Agenda ) 线上平台, 《艺术快报》 ( Flash Art ), 《艺术新闻》 ( The Art Newspaper ), 《Mousse》杂志, 《VICE》杂志, 《布鲁克林铁路报》( The Brooklyn Rail ), 《美国艺术》 ( Art in America ), 《史派克》艺术季刊 ( Spike Art Quarterly ) 及《艺术界》 ( LEAP ) 等。她是创意资本与安迪沃霍尔基金 ( The Creative Capital/Warhol Foundation ) 2015 年度“艺术写作者经费项目” ( 短篇写作类 ) 获得者,亦是2017 年度亚伯索鲁特艺术写作奖 ( Absolut Art Writing Award ) 决赛入围者。她历任新媒体艺术线上平台《根茎》 ( Rhizome ) 副刊主编, 《魏特德维茨评论》 ( WdW Review ) 执行编辑, 《BOMB》杂志网络版艺术编辑以及《现代画家》 ( Modern Painters ) 编审。