Evelyn Char is a Hong Kong-based art critic with a consistent focus on regional cultural exchange, politically engaged art practices and feminine aesthetics. She is the co-author of Farmers’ Horizon ( 2016 ), an in-depth study of the agricultural and cultural exchange between Hong Kong and Japan in the Echigo-Tsumari Art Triennial 2015, and the author of a catalogue essay for the official Hong Kong presentation Shirley Tse: Stakeholders at the 58th Venice Biennale ( 2019 ). Her cross-disciplinary practice also involves research, curating and pedagogy across the fields of contemporary art and literature. She is currently on the editorial board of o-square, a quarterly that specialises in publishing long-form essays and critiques.
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艺术评论人，关注地域文化交流、政治介入的艺术实践和女性艺术家，目前生活工作于香港。与人合著的《农人の野望：大地艺术祭与港日乡城连结》一书，对2015年“越后妻有艺术三年展”中中国香港和日本的农业与文化交流进行了深入的研究。曾为第58届威尼斯双年展（2019）香港馆展览“谢淑妮：与事者，香港在威尼斯”的展览画册撰写专文。其跨学科实践还涉及跨越当代艺术和文学领域的研究、策划和教育。目前在o-square的编委会任职，这是一本发表长篇文章和评论的专业季刊。
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